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| Diana, Princess of Wales in 1982 |
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Diana, Princess of Wales
Why could we not avert our eyes from her? Was it because she beckoned? Or was there something else we longed for?
By IAN BURUMA
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Monday, June 14, 1999
What was it about Diana, Princess of Wales, that brought such huge numbers of people from all walks of life literally to their knees after her death in 1997? What was her special appeal, not just to British subjects but also to people the world over? A late spasm of royalism hardly explains it, even in Britain, for many true British monarchists despised her for cheapening the royal institution by behaving more like a movie star or a pop diva than a princess. To many others, however, that was precisely her attraction.
Diana was beautiful, in a fresh-faced, English, outdoors-girl kind of way. She used her big blue eyes to their fullest advantage, melting the hearts of men and women through an expression of complete vulnerability. Diana's eyes, like those of Marilyn Monroe, contained an appeal directed not to any individual but to the world at large. Please don't hurt me, they seemed to say. She often looked as if she were on the verge of tears, in the manner of folk images of the Virgin Mary. Yet she was one of the richest, most glamorous and socially powerful women in the world. This combination of vulnerability and power was perhaps her greatest asset.
Diana was a princess, but there are many princesses in Europe, none of whom ever came close to capturing the popular imagination the way she did. Princess Grace of Monaco was perhaps the nearest thing, but then she had really been a movie star, which surely provided the vital luster to her role as figurehead of a country that is little more than a gambling casino on the southern coast of France. The rather louche glamour of Monaco's royal family is nothing compared with the fading but still palpable grandeur of the British monarchy. To those who savor such things, British royals are the first among equals of world royalty, the last symbols of an aristocratic society that has largely disappeared in most places but still hangs on, with much of its Victorian pomp intact, in Britain. Even the Japanese Emperor Hirohito never forgot being overawed by the style of his British royal hosts on his first trip to Europe in the 1920s.
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