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Lucille Ball and her husband, Desi Arnaz


Lucille Ball
The first lady of comedy brought us laughter as well as emotional truth. No wonder everybody loved Lucy


Intro: Technology Shaped the Show
21st Century: The Future of Arts

Monday, June 8, 1998
It happened somewhere between the clunky premier episode (Lucy Thinks Ricky Is Trying to Murder Her) and her first classic routine, the Vitameatavegamin commercial, in which Lucy gets steadily soused as she keeps downing spoonfuls of the alcohol-laced potion she's trying to hawk on TV. (Watch the spasm that jolts her face when she gets her first taste of the foul brew; it could serve as a textbook for comics well into the next millennium.) I Love Lucy debuted on CBS in October 1951, but at first it looked little different from other domestic comedies that were starting to make the move from radio to TV, like My Favorite Husband, the radio show Ball had co-starred in for three years. Lucy Ricardo was, in those early I Love Lucy episodes, just a generic daffy housewife. Ethel (Vivian Vance), her neighbor and landlady, was a stock busybody. Desi Arnaz, as bandleader Ricky Ricardo, hadn't yet become one of the finest straight men in TV history. William Frawley, as Fred Mertz, seemed a Hollywood has-been in search of work, which he was.

Louis Armstrong
Lucille Ball
The Beatles
Marlon Brando
Coco Chanel
Charlie Chaplin
Le Corbusier
Bob Dylan
T.S. Eliot
Aretha Franklin
Martha Graham
Jim Henson
James Joyce
Pablo Picasso
Rodgers & Hammerstein
Bart Simpson
Frank Sinatra
Steven Spielberg
Igor Stravinsky
Oprah Winfrey

Then magic struck. Guided by Ball's comic brilliance, the show developed the shape and depth of great comedy. Lucy's quirks and foibles — her craving to be in show biz, her crazy schemes that always backfired, the constant fights with the Mertzes — became as particularized and familiar as the face across the dinner table. For four out of its six seasons (only six!), I Love Lucy was the No. 1-rated show on television; at its peak, in 1952-53, it averaged an incredible 67.3 rating, meaning that on a typical Monday night, more than two-thirds of all homes with TV sets were tuned to Lucy.

Ball's dizzy redhead with the elastic face and saucer eyes was the model for scores of comic TV females to follow. She and her show, moreover, helped define a still nascent medium. Before I Love Lucy, TV was feeling its way, adapting forms from other media. Live TV drama was an outgrowth of Broadway theater; game shows were transplanted from radio; variety shows and early comedy stars like Milton Berle came out of vaudeville. I Love Lucy was unmistakably a television show, and Ball the perfect star for the small screen. "I look like everybody's idea of an actress," she once said, "but I feel like a housewife." Sid Caesar and Jackie Gleason were big men with larger-than-life personas; Lucy was one of us.

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May 26, 1952
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