
Rodgers and Hammerstein did not, of course, collaborate until they were well along in their careers. Rodgers was born on June 28, 1902, on New York's Long Island to a doctor and his wife. He took to music at an early age. The teenage Rodgers spent his allowance going to Saturday matinees of musicals. Thus he grew to idolize Jerome Kern.
By the time he went to Columbia University in the fall of 1919, he had already met his first collaborator, Lorenz Hart. That summer they had sold a song to producer Lew Fields for a show called A Lonely Romeo. (Extraordinarily, some of Rodgers' songs, to his own lyrics, appeared on Broadway even earlier, when he was 16.)
But it wasn't until 1925 that Rodgers and Hart had a major hit. They wrote the songs for a lighthearted revue called The Garrick Gaieties. Its Manhattan was an overnight success, and the legendary partnership was flying at last. Such songs as The Lady Is a Tramp, Dancing on the Ceiling, My Heart Stood Still and Blue Moon etched the duo a permanent place in theater history.
Rodgers was always keen on breaking new ground. Many believe Pal Joey (1940), the story of the emcee of a sleazy nightclub, to be a landmark musical. With its unscrupulous leading character and bitingly realistic view of life, the show moved the musical-comedy format into more serious territory. But even as Rodgers and Hart were taking the musical to new levels, their partnership was becoming increasingly strained. Hart was a serious drinker, and by the time of his last collaboration with Rodgers, By Jupiter in 1942, he was virtually an alcoholic. Rodgers was desperate. No one was more forthcoming with help than his old friend Oscar Hammerstein II.
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