
It is a commonplace of pop-music commentary to point out that at the time of the Beatles' first appearance on the Sullivan show, the U.S. was a country uniquely in need of some cheering up. The assassination of a young and charismatic President little more than two months earlier had cast a pall on the national mood; and of course there were rumors of war. Certainly the moment was propitious for the four lads from Liverpool.
Looking back, though, it seems likely that the Beatles with their buoyant spirits, their bottomless charm, their unaccustomed and irrepressible wit could probably have boosted the mirth quotient at a clown convention. Their overflowing gifts for songcraft, harmony and instrumental excitement, their spiffy suits and nifty haircuts, their bright quips and ready smiles, made them appear almost otherworldly, as if they had just beamed down from some distant and far happier planet.
Actually, of course, they hailed from Liverpool, a semi-grim seaport on the northwestern coast of England. John Lennon, born there in 1940, never knew the seagoing father who had deserted his mother; mainly a doting aunt raised the boy. He grew up arty and angry and musical, it turned out, after his mother bought him the traditional cheap kid guitar (the label inside said guaranteed not to split), and he quickly worked out the chords to the Buddy Holly hit That'll Be the Day. Paul McCartney, born in 1942 and destined to become Lennon's songwriting soul mate, seemed a sunnier type: well mannered, level-headed, all that. But he had weathered trauma of his own, losing his mother to breast cancer in his early teens. McCartney encountered Lennon in the logical way, given the times and the two boys' musical interests: on the skiffle scene.
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